Ina Garten's close friends, director Rob Marshall and producer John DeLuca, visit her at home, where she makes them all refreshing Watermelon Cosmopolitans. Then John takes over in the kitchen to make Salmon Burgers topped with his mom's Simplest Slaw. Recipes featured in this episode: Watermelon Cosmopolitans: https://www.foodnetwork.com/recipes/ina-garten/watermelon-cosmopolitans-12438413 Salmon Burgers: https://www.foodnetwork.com/recipes/salmon-burgers-12438386 Join the party as Ina Garten invites friends old and new into her East Hampton home for good food and great conversation Want more Food Network? Stream some of your favorite Food Network shows on discovery+. Go to discoveryplus.com/bemyguest to start your 7-day free trial today. Terms Apply.
Ina Garten's close friends, director Rob Marshall and producer John DeLuca, visit her at home, where she makes them all refreshing Watermelon Cosmopolitans. Then John takes over in the kitchen to make Salmon Burgers topped with his mom's Simplest Slaw.
Recipes featured in this episode:
Watermelon Cosmopolitans: https://www.foodnetwork.com/recipes/ina-garten/watermelon-cosmopolitans-12438413
Salmon Burgers: https://www.foodnetwork.com/recipes/salmon-burgers-12438386
Join the party as Ina Garten invites friends old and new into her East Hampton home for good food and great conversation
Want more Food Network? Stream some of your favorite Food Network shows on discovery+. Go to discoveryplus.com/bemyguest to start your 7-day free trial today. Terms Apply.
Find episode transcripts here: https://be-my-guest-with-ina-garten.simplecast.com/episodes/catching-up-with-rob-marshall-and-john-deluca
Ina: I’m Ina Garten, I love to invite interesting people to my house for good food, great conversation and lots of fun. VO: My dear friends Rob Marshall and John De Luca, the award-winning director and producer of some of your favourite films, like Chicago and Mary Poppins returns, are coming to the barn for the day. John: We’re excited because we’re going to Ina’s Rob: We’re excited John: but not so much because we are, she usually cooks for us Rob: she cooks, yeah, she does John: and today we’re Rob: Cooking for- John: cooking for her Rob: Yeah, yeah John: But it’s, I’ve chosen really really simple recipes Rob: Yeah but I still think we’re in big trouble, but then John: yeah, but she’ll lie, and she’ll say every- anything is good. She such a lovely woman. Rob: listen its Ina, who cares John, it’s going to be the best time ever John: at least we’ll laugh, we’ll laugh Rob: Like it always is, we always laugh John: Okay so we gotta to go Rob: Can’t wait to see Ina’s soon. Okay Rob & John: Bye VO: We’re talking about work Ina: So, you were nominated for 12 academy awards Rob: Honestly every moment making a film John: yeah Rob: Is literally like you’re just about to have a disaster VO: Maybe sharing a few secrets Ina: she thought she’d put the phone on hold John: Oh no Ina: And she calls out “it's for you, it's that crazy Ina Garten” LAUGHTER VO: and even dancing John: Come on Lindy hop and then she goes to Rob Rob: Yes, yes, yes, she’s mine VO: I’m making there amazing Watermelon cosmopolitan’s Ina: To movie making John: Cheers Rob: To movie making John: cheers Rob: To you Ina: So much fun VO: John is cooking his salmon burgers topped with the easiest coleslaw, which is his mum’s recipe. Then we’re heading out to a historic Inn on Mainstreet for cheesecake and we’re meeting Jeffery Jeffery: Ina’s chicken, that’s chicken Rob: Exac- that is chicken Ina: Dream Guests Rob: yeah, dream host. |
Ina: Jeffery and I have been really good friends with Rob and John for, oh, about 15 years. They’re coming over, we’re going to have a great convocation and I’m making their watermelon cosmopolitans. But first what I'm doing is I’m pureeing four cups of watermelon. I’m pureeing the watermelon chunks in a food mill, you can do it in a blender, but the food mill takes out any seeds that are left and some of the pulp so it's a little more elegant. It smells so good; it smells like summer. While I work on this, let me tell you about Rob and John. VO: They’re Partner’s in life and in work, they met almost 40 years ago working in the theatre as choreographers, before going into movies. They’re first full-length feature movie was Chicago which one 6 academy awards including best picture. They’ve turned several stage musicals like 9 into successful films and made many more movies including pirates of the Caribbean, memoirs of a Gasha and Mary Poppins returns which we actually and a party for the in the barn. I love them, I love spending time with them and I’m looking forward to hearing all they’re stories. Ina: To the best of friends John: Yes Ina: I can’t wait for them to get here, so this is the pureed watermelon, look how gorgeous that colour is, it's going to make really gorgeous cocktails. Okay now I'm going to make the mix, so I’m going to take the watermelon juice and just pour it into a pitcher. Okay next is some vodka, can’t make a cocktail without alcohol. Rob actually made these cocktails for us and gave me the recipe; I’ve made them all summer long and then orange liquor. I hate making cocktails one at a time, I like to make a big pitcher and freshly squeezed lime juice and that’s the mix, just going to give it a big stir, looks at this colour, isn’t this fabulous? So good. Okay, into the fridge, I’ve got martini glasses in the freezer, nice and cold, it's going to be all ready when they get here. Fun to be had. Rob: Okay we’re coming up to Ina’s John. John: yep, any day with Ina’s a great day Rob: that’s for sure. Rob: Perfect John: Okay yes Rob: Thank you Johnny. Okay here we go. You ready? John: beautiful day Rob: Oh, it's so gorgeous. Off we go. John: it always looks so beautiful here. Rob: You know, it's funny I, I feel like when you’re here John, I feel like you’re in the Luxembourg gardens or something John: I know Rob: it’s so fantastic John: She’s always so inspirational Rob: Okay let’s go, let’s go find her Rob & John: Hello! Rob: Hello John: hello hello Rob: Hi Ina: Ahh ha, they’re here. Hi, I'm so happy to see you Rob: This is the best, so great to see you too John: Hiii Rob: thank you for having us over to your gorgeous place John: ohh Ina: This is two for one. Rob: yes Ina: Okay I made your cocktails, I made Watermelon Cosmo’s, how’s that? Rob: Okay, oh gosh I hope they’re okay Ina: you feel like that? Rob: Okay yes fabulous John: Yeah, Ill be the tester for that Ina: Okay, so one of you, does one of you Rob: yeah, yeah, yeah Ina: want to get? Rob: yeah Ina: We need three frozen cocktail glasses Rob: Yeah, where’s- where’s the big glass, that’s what I want to know, where’s that big one? Ina: I forgot that one John: Come on Ina: we, we might have to do that Rob: Oh, these look fantastic Ina Ina: these are so good, this is your cocktail. Rob: Now did you do the sort of whole food mill thing? Is that how it worked or? Ina: yeah Rob: yeah, to make it like, get rid of the pulp and the seeds and all that stuff Ina: yeah, yeah Rob: gosh Ina: you taught Rob that Rob: Yeah, you taught every- Ina: The whole thing Rob: and really you sort of half your Ina: And where does this come from? Rob: yeah Ina: You gave it to me Rob: do you remember John? Ina: Do you think they were sending me a message? John: yeah Ina: Okay 30 seconds Rob: 30 seconds that’s your, your, know. Otherwise, it doesn’t work. Ina: it, it chills it, but it also dilutes it. Okay, who’s in charge here? Rob: Okay, okay here we go, oh how beautiful Ina: look how gorgeous is that Rob: Look at the colour John: Nice Ina: Okay, I think we need a little mint on each one right? John: yeah Rob: okay, John let’s do this John: I can do that Ina: are you, are you the mint chef? John: yeah yep Rob: yeah, how much do you like on top, like, oh like that John, not like a whole little sprig? Ina: I like whatever you like, like a little sprig, a sprig John: Oh, you want to do sprigs Rob: It’s sort of become, my you know my thing John: see I, uh Rob: I think Ina: Oh that smells so good Rob: like this Ina: just like that Rob: is that okay? Ina: perfect, perfect Rob: like that John: I’m just going to let you do, will you put them all in then? Ina: perfect Rob: Okay there we go, is that good? John: This is nice, yeah Rob: Its beautiful… fantastic Ina: I’d say we are so ready Rob: oh my gosh, okay, here john Ina: John Rob: You got it John: Thank you Rob: You good? John: yes Ina: Rob John: thank you, cheers Ina: To movie making John: cheers to movie making Rob: To you Ina: So much fun … mmmm Rob: Why are they so much better when you make them Ina, what is it? Ina: wha- (Laughs) seriously, everything’s better when somebody else makes it Rob: No but seriously, always, that’s so funny Ina: I don’t know, is it better? Rob: It is better Ina: IT’s so good, do you know how many times I made this, this summer. Oh my god, over and over and over again Rob: But it is Ina: It was like, oh, not those watermelon Cosmo’s again Rob: But you know, they’re so clean and yummy, I mean I don’t know Ina: yeah John: yeah ROB: I can barely taste the vodka Ina: MM yeah, just wait Rob: but you put, but you do triple sec right, yes, the whole thing, yeah? Ina: yeah, yeah, the whole thing just the way your recipe is Rob: It’s the best John: I like smelling the mint, always the mint is the best part Rob: We love you Ina: And the mint is so interesting cause you can smell it first and then you taste it Rob: Yeah right John: exactly, that’s what I love Rob: I love it, mmm Ina: mmmm Rob: it really is divine, oh now I’m tasting the vodka Ina: Now you’re LAUGHTER Rob: It’s coming out now Ina: woah Rob: now I taste it Ina: let’s go talk John: Yes Rob: okay great Ina: I can’t wait to talk to you John: yeah, yeah yeah Ina; wow Rob: Now we’re going to spill it Ina because we have Cosmos, so it’s all going to come flying out LAUGHTER Ina: (laughs) I’m so glad to see you Rob: oh we love seeing you too Ina: How fun is this? Rob: the best Ina: Okay let’s get started John: yes, yes Ina: This is going to be fun. How did you meet? You met in a show, you say in the bathroom, but it was really the dressing room Rob: that’s a terrible way to say it, oh my god LAUGHTER Rob: have I said- John: We’ll call it a dressing rom Rob: Wow Ina: That’s the story you tell John: you’re absolutely right Rob: NO it was a, it was a John: we were auditioning for a show Rob: You know it was a very sort of off-Broadway production so Ina: yeah Rob: So, the bathroom was the dressing room Ina: right, exactly Rob: So that’s what it was Ina: And you were both auditioning for the same show John: Yes, yes Rob: Exactly Ina: The good news is you both got parts in that play Rob: we did John: we both did, yeah Ina: The bad news is nobody’s ever heard of it Rob: no, no, John: No no Rob: It was a tiny, are you ready for the title ? Ina: Yeah Rob: Its the weirdest title ever, it's called the Boogie Woogie rumble of a dream deferred Ina: (Laughs) Okay Rob: Okay, yeah Ina: I couldn’t remember that 5 minutes later Rob: it’s no, no, no, no Ina: But the best thing that came out of it is the collaboration between the two of you. Rob: So, I just remember you know seeing you and thinking, wow you’re so sophisticated and so you know Ina: stylish Rob: and so, accomplished already, yeah Ina: But you were in major productions, you were in cats John: well, it was a big deal then Ina: It was a big deal, yeah Rob: I mean it was the 80’s and it was a big deal for a dancer to get that role Ina: yeah Rob: but now I can’t, I honestly John: everybody wanted to be in cats Rob: I always, I mean honestly, I don’t like cats, like Ina: yeah Rob: like cat’s themselves Ina: yeah Rob: I mean they’re fine but John: he came home Ina: Oh, you don’t like actual cats Rob: No, I don’t like cats John: He was, no he was rehearsing the show and he came home, and I said so, so how’s it going and he goes to be honest, don’t tell anyone, I’m in cats and I’m playing a cat but I’m really playing a dog Ina: (laughs) Rob: That’s what I decided, it was weird I was the first cat on stage, so you slid-, and I, you’re in this big junk yard, everything’s over-sized Ina: yeah Rob: and I thought, and I have the first line of the whole thing and I slid down and I thought this is the stupidest show I’ve ever LAUGHTER Rob: but I can’t believe I’m in it |
Ina: So, then something happened that really like changed your life and Rob hit a wall? Rob: Yeah, I Ina: And what happened? Rob: It was so surprising; I mean I injured myself in a show, uh, I got a herniated disk in my back and I couldn’t dance, I had been, uh, the dance captain on Broadway show, also the assistant choreographer on some Broadway shows, so the natural thing for me to, was to become a choreographer myself Ina: yeah Rob: Which I thought I would do maybe down the line, but not at aged 27 Ina: It made it happen faster Rob: No Ina: yeah Rob: and so the first thing and I though, you know what before I go back to dancing, maybe I’ll just choregraph something Ina: Mmm hmm Rob: and then I never really stopped Ina: And then how did Annie come along? So Annie, Annie is a made for TV movie Rob: yeah Ina: Let me just say, it was the highest watched Tv movie of the year Rob: it was crazy John: wow Ina: Am I right? You won an Emmy for that? Rob: Yes John: there were Emmy’s everywhere for this show Rob: Yeah Ina: How did it come about? Rob: I had done some television choreographing and those producer’s saw me and thought, oh you can direct Ina: and did you think you could? Rob: No, I, I don’t know, I remember the first day and I was so nervous I couldn’t even say the word action. Kathy bates was waiting for me to say let’s go and I couldn’t say action, I just couldn’t say it at all, so I finally said Okay whenever, I don’t know why I said that LAUGHTER Ina: do you, was it that you just, you felt like you were impersonating a director? Rob: Yes exactly, it felt cliché Ina: isn’t that interesting, oh John: It is a very clichéd term Rob: and the and and- John: action and cut Rob: cut too, you know I didn’t say cut I said well that’s it. LAUGHTER Ina: I remember the first time I was on a, on a TV set and I, I was I did something wrong, and I went cut and the director was like John: oh my god Ina: No, no, no, no, no, that’s what I say John: you don’t call cut Rob: Don’t cross that line Ina: I couldn’t get myself to stop saying it Rob: ah that’s so funny LAUGHTER Ina: And the thing about Annie is, I actually didn’t see it until recently, because I thought it was a children’s thing, but it's really about children teaching adults to re-discover awe and wonder, is that, is that what it is for you as well? Rob: Well you know what, for me, um, film musicals they take you to another place. They bring you to a place of joy and of, of, of abandonment and fun and, and, and also message about life, about living life to the fullest and I think sometimes times musicals can do that in a way other things can’t and I felt that Annie was very much that. Ina: and then what happened? Rob: they asked me, would you come to talk about directing the film of rent. Ina: Which was huge on Broadway at that time, right? Rob: Huge, huge, but I secretly knew the entire time that they had Chicago and Chicago was having a real trouble getting made Ina: why? Rob: because conceptually I think people, um, couldn’t find their way into, it's a very complicated transitions, um, from stage to film because it's a theatrical piece. The whole thing it's all Vod-vil number Ina: oh Rob: So how do you do that on film, but secretly uh Chicago was my favourite musical Ina: yeah Rob: and so, and I had always thought about how I would do it and what I would do, so I um, I went down to this meeting and um, and they said, I said, you know before we talk about rent can I just talk about Chicago, I did a number for them Ina: Did you really? What d’you do Rob: I did Mr cellophane Ina: uh, it's the best Rob: I explained that you’d be in an office and you could pick up a hat to leave and put it on your head and be on stage Ina: (gasps) Well the transitions in that movie are just stunning. Okay so you’ve gone from being a dancer where you’re just responsible for your yourself Rob: mmm Ina: TO be a choreographer where you’re responsible for a group of dancers Rob: yes Ina: And now you’re responsible for an entire movie Rob: yes Ina: SO, you asked John to come in with you? Rob: So, I, the first thing I did was I said John Ina: Yeah Rob: you have to do this with me Ina: SO, you’re the director, Johns the producer, is that what? John: and the good thing is that we do have similar taste but we also have enough of a different sensibility Ina: Mm hmm Rob: Mmm Hmm John: That it, it’s it works and I’m not afraid of saying Ina: well, you Rob: also, when you’re, also John Ina: NO? LAUGHTER Rob: and also Ina: You don’t hold back? John: I may seem shy, but I don’t hold back Rob: But you’re amazing with actors John that’s the thing and I knew, you know we were working with the actors in the film were New to musicals, Rene Zellweger had never done a musical. Ina: yeah Rob: Katherine had done stage musicals in the West end and Richard Gear Ina: and Richard Gear John: Richard Gear, yes Ina: So, tell me the story about going to Rene Zellweger and having her come for an audition Rob: Oh Ina: Cuz she was the lead Rob: Yes Ina: and she’d never sung or danced, she’d been a cheerleader in high school John: Yes Rob: I cant believe you know all this, how do you know all these things? Ina: And with that criteria you decided that maybe she had a chance Rob: That’s it, we loved her as an actor and we, we thought this is perfect because the character of Roxy has to be a wanna be you know, sort of an underdog and you have to really care for her true vulnerability. Ina: Mmm Hmm Rob: And so we both loved the idea but we had no idea if she could sing or could dance or anything like that and we were at a restaurant, we had not heard her sing, she would not sing for us. I said um, so do you know, um, this uh, song or that song, I sort of started, started asking cuz I thought maybe she’ll sing in the restaurant Ina: I love that you’re known as the stealth director LUAGHTER Ina: Nobody even knows you’re directing them. Didn’t Judy Dench call you a stealth director Ina: I love that. SO, you said to her, I don’t remember the words, something like that LAUGHTER Rob: Yeah, yeah, I don’t remember how does that go again? I tried to be very cagey about getting into it John: Renee’s no fool though, she knew exactly – Rob: and she, and uh, and uh, and then she started to sing a little and I could hear that she had an ear and then I said she’s it because I heard her sing Ina: Oh, I’m going to cry Rob: yeah, that’s it Ina: Isn’t that amazing? Rob: Yeah. I mean listen to musicals at that point were dead Ina: DEAD John: They were yeah, they were dead and buried, and nobody wanted to see them Rob: Nobody wanted to do them and so we thought, you know, we’d open and three people would want to see it and honestly that’s, that kind of no pressure John: that’s the best Rob: helped a lot Ina: Yeah, so you were nominated for 12 academy awards, you won 6 including best picture Rob: I remember very specifically that it was the first musical to win since 1968, since Oliver Ina: Wow I think the first award show was the, oh the DGA Rob: the DGA Ina: the drama guild Rob: The directors guild, the director’s guild, yeah Ina: Exactly, that’s exactly right and your there with John and you’re sitting next to Rene Zellweger Rob: yeah INA: And who’s giving out the award? Rob: It was Ron Howard Ina: Ron Howard, Ron Howard said and for best director of a feature film Rob Marshall Rob: and I just sat there, because I thought they made a mistake and I assumed, we all knew it was going to be Martin Scorsese who had never won a DGA John: We were just happy to be there Rob: yeah, we were at the table having a great time Ina: Yeah Rob: And um Rene, Rene Ina: Rene was sitting there John: She’s sat next to me, she grabbed my arm, she just like freaked Rob: and she turned to me, and she said you have to go up John: She did, she reached him like Ina: You know you’re going to have to get up Rob: Like you have to go, like go, like go now, like what John: very sweet, very sweet Rob: I mean it was just a surprise and a thrill, and we just never saw it, all of it we never saw coming, it was like a red-carpet ride, all of it Ina: Yeah, and it changed the world because it's one of the great musicals ever and certainly one of the modern- modern musical, and everybody wanted to do musicals after that and the end of the, I love the end of this story to that you, while you were doing Chicago a house came up for sale in the Hamptons that you knew because Julie Andrews had live in it Rob: yes John: we didn’t have the money to buy it, Richard Gear told us to buy above your means, we were like okay, we do anything Richard says, dear Richard and we nought it, we left to do a movie, came back, we came back at Christmas, we walked in, there was music on Ina: awh yeah John: You remember Christmas music? The tree, all lit, the house was all Rob: decorated from top to bottom John: christmified, yeah Ina: and there was food in the refrigerator? John: Food out and on the refrigerator Ina: Right John: Yeah, cookies and yeah, it was Ina: And Rene had gone John: Rene did it Ina: And hired the guys from Bridge hemp and florist Rob: yep, and then said go in and do it Ina: Just do it Rob: yes Ina: SO, I think she probably had a good time while she was doing the movie. Rob: you know what can I tell you, the most generous person on the planet, maybe next to you Ina: Isn’t tat lovely John: yes Rob: But honestly Ina; that was pretty wonderful Rob: But pretty amazing Ina: yeah |
Ina: Fast forward to Mary Poppins returns. Rob: Yes, yes Ina: One of the most beloved movies of all times, right? Does it feel really risky to re-make this movie? Rob: Well, I, I, the first we did was said we can never re-make the film, so let’s, what are we going to do, let’s do a sequel Ina: Oh, that’s really Rob: let’s do something that’s set 30 years later, we have to set it in a different time, so we set it in the 1930’s Ina: Which was so smart Rob: During the depression era Ina: depression Rob: and now Michael and Jane who are little kids in the book are grown up VO: Rob was directing the movie; John was producing it and they both worked on the script Rob: We wanted to disappear into a film and I really felt like for us to disappear into that world, that means so much to us, that wonderous world where magical things can happen during everyday life, which is really the message of the films of Mary Poppins herself, just walking through the park becomes an adventure and so, I don’t to disappear into that world for the amount of time that we did was just so therapeutic John: and create something new with new songs and bring new actors in Rob: we never done a John: and still make an homage to the original Rob: yeah exactly, exactly Ina: yeah Rob: and we’d never done an original musical John: Because we loved it so much, in our, in our souls so Rob: Yes, it's true Ina: SO, can I tell the story about, Jeffry and I were in Paris and you invited us to London and we were coming to have dinner with you and you said well why don’t you come watch us film and for me you know I’ve filmed a TV show you know, there are 10, 15 people around me and your filming Linn Manwell riding his bicycle past Saint Pauls cathedral Rob: exactly Ina: who is like the Dick Van Dike character Rob: exactly John: Yes Ina: In the original film Rob: exactly INA: And I see in front of me, I think 200 people, am I right? John: At least Rob: at least Ina: At least 200 people there and you were just standing there so relaxed like you were, like you were just, you know hanging out watching a movie. It was quite a moment to say the least and I could see the monitor and you were running back what you’d just filmed, and I just felt the tears well up in me and I just thought (gasps) My god, they got it. And, and then you went on for like another 3 or 4 hours. There was a layering, you saw, you saw that moment Rob: yes Ina: But then you layered In the doves that, that were realised and then you layered in the, the mist off the Themes and then you. There was a layering that just made it even more interesting and complex Rob: It is a marriage of all those things at once and so you’re waiting for it to all sort of collide together John: Like you, we, we, test and test the recipe Ina: yep John: you know, I know, I’ve gone into your house when you’re like what are you doing, oh I’m testing it, how long- you’ve tested it over and over Ina: like 25 times John: Tasted it, yes and so, our testing has happened already, we’ve talked about it, we’ve created it, we’ve had rehearsals Rob: yep John: We’ve talked to the actors; we know how it fits into the story Ina: Mmm Hmm John: So, by that time, we- it's still not cooked though, until that we have all of those things that were talking about now Rob: that’s true, that’s true Ina: and then there’s the moment where, where they release the doves, and the doves go in the wrong direction Rob: Oh my gosh, exactly John: yeah Ina: And you’re like get rid of the doves, we’ll put that in later John: exactly Rob: I mean, it’s like, your like John: you remember that Ina: fire those doves Rob: It is, I mean every moment on a- John: Who needs real doves? Rob: Honestly every moment making a film is literally like you’re just about to have a disaster, then it’s like, oh, oh but then it works and your happy. Ina: So, when you’re doing a movie, your always for a year, I mean it's really hard, fortunately you both go together, so you kind of bring your family with you, but how do you make a home for yourself? Rob: I bring too many boxes Ina: Too many boxes, what do you bring? John: He brings our sheets and our pillows and pillowcases and our- he brings everything Rob: Yeah, I bring John: even if we’re renting house Rob: you have to feel like your Ina: yeah Rob: you know especially when your Making a film it's so difficult, you have, you come home and you and your exhausted and you just want to feel Ina: Comfortable Rob: That kind of warm hug of your home, of your house John: yeah Ina: What do you bring John? John: Not a toothbrush Rob: John’s very simple John: I mean I’m not, I'm more austere, I don’t have to think Rob: John’s bare bones John: Bare bones Rob: And I’m like back in the truck, you know let’s go LAUGHTER Ina: I think Jeffrey’s, I think you’re like Jeffery, you know John: Much Ina: You know Rob’s going to bring everything so you don’t have to worry about it Rob: yes, we’re very similar in that way John: you are similar in that way Ro: very Ina: You know when you’re on location, the food must be just terrible, isn’t it like craft services? Rob: Well, it depends, because when we were in Hawaii on pirates, the food was divine because Ina: wow Rob: well Johnny Depp is a wonderful leader of film and he actually made sure that the catering was spectacular, so we had fresh beautiful fish and fruits and vegetables every day, that was incredible John: Tuna Rob: remember that? That was incredible John: mm Ina: NO Mac and cheese there? Rob: NO mac and cheese John: NO, no, no Rob: uh and of course where we just were in Sardinia, filming the little mermaid John: yeah Rob: Forget it! John: The Italian food there’s nothing Rob: OH my gosh Ina: There’s nothing like it is there? Wasn’t there a story about like Marcello Mastriano and Rob: Yes well Sophie Loren told us that John: and I’ll never forget it Rob: that all day long when they were filming any of their movies, he would be obsessed by what they’re having for dinner. John: It would be the first thing he’d ask, she said he’d come in and the first thing, what, what, what are we going to do for dinner and that’s me, I do the same thing, so I grabbed onto that story Ina: You do the same thing? John: Oh, I do the same thing Rob: And, and I have to say when we were I Sardinia and we were filming on location, um, that, that would get us through the day. I mean We would literally say, okay so where are we going tonight? And the, they have the most beautiful restaurants, right on the beach, you know feet in the sand Ina: Awh Ina: The most incredible pasta’s, how many lobsters Pasta’s did we have John? John: yean, no it was ROB: Like every night Ina: That’s my favourite Rob: Every single night. John: and they do it like- Ina: How fabulous Rob: It was crazy and what’s that called John the Pain au Carousels? Is that what they call it, the Thin flat bread. John: Yeah, you know the bread they do, with the double cooked Ina: Yeah Rob: with the rosemary and the and the olive oil and salt on it John: Crispy Ina: wow John: It does get you through the day though, I must say Ina: Isn’t that great ? John: It was great INA: Okay I think it’s time to cook. You and I are making salmon burgers John: yes Ina: yeah and you’re in charge of all the snark LAUGHTER |
Ina: So John is going to show me how to make his incredible salmon burgers. This is going to be interesting. You’re not invited. You have to go sit over there and make snarky comments Rob: Yeah, happy to, happy to John: Yeah, you go make your Rob: Okay, I’ll make snarky comments John: Snarky comments as you were saying Ina: Okay, put me to work John: Yeah, well so you know Ina: So, what are these? John: we’ve done the hardest thing so far Ina: Which is? John: which is where you buy the salmon without the skin Ina: That’s the hard part John: that’s the hard part, going in and ordering the salmon, no Ina: ordering something John: No, no it's actually, when you get it home Ina: yeah John: cutting it as small as you can, so that when you put it in the bag you can just mash it Ina: Don’t you like the way I John: So INA: invite them over and make them cook John: I know but, you know Ina: How about this you hold the bag open John: but I don’t cook for you a lot, see she always knows how to do it better Rob: There you go Ina: we’re done Rob: there you go John: done Rob: Done John: See that’s, that’s why she’s Ina: okay John: the countessa Ina: salmon burgers are ready John: done Ina: What are you doing? John: and then now that’s when we mash it Ina: oh you’re going to mash it John: you get to get Ina: okay John: you get it as small as you can INA: let’s take out your John: you have to use the right side? Ina: which side? John: because if you use this Ina: it's going to break the bag John: yes, yeah, so it's yeah Ina: Okay John: So just, you want Ina: stand back John: yeah, just, I’ll start Rob: okay Ina: Okay what do you have to say about this Rob? Rob: I’ll just say you know I’m glad he’s not around that with me Ina: stand back Rob: I know John: exactly Rob: John John: I think Ina’s frustrated, she wants to- Ina: I have another option here, the two of us can do it John: dulling bashers, this is – Ina: don’t mess with us John: yeah you go take care of him while I do this Ina: How much do you do this? Rob: John can I ask you a stupid question? Why are you doing that? Ina: why John: To get it as small as possible, well you some people would like their salmon big in their burgers and some would like it really mushy Rob: So it's lighter and thinner, I see John: yeah, I like it a little mushy. You know what they really are delicious, this does make a nice Ina: This is fun John: like moist salmon burger and it's hard to get Ina: what’s happening over here? John: okay then- Ina: Am I cutting up dill? John: yeah Ina: Okay John: why don’t you do we need like two, two tablespoons of that Ina: Okay, I can do that Rob: Oh look at that John: you know and I mean, I'm an eyeball cook, you’re so exact and precise and that’s why everyone loves you and I do too, because you don’t leave that much to chance Rob: I know because- Ina: I leave nothing to chance John: Nothing exactly! That is why you’re so brilliant Rob: Especially for- John: I’m not as good as that and then so what you want to do is, you just want to add this to your- Rob: Oh, John you’re scaring everybody in the world John: I’m sorry Ina: You’re scaring me, so what happens here? John: Alright so we put this in, we just put this in first, you know it's weird to have a camera on when you’ve done it a thousands times, it does change it Ina: Yeah John: I don’t know how you do it Ina: Okay and then Rob: Oh I see John, I see Ina: SO the dill goes in John: Yeah Ina: Two tablespoons John: Yeah, that’s perfect, that’s really good Ina: Okay, okay what else? John: How about the uh- Ina: mustard John: we want one of the one tablespoon of that Ina: okay John: and I trust your, you know it's like Ina: UH that’s exactly one tablespoon John: she knows Rob: you do know Ina: and then John: two yes, this is the Ina; Two egg yolks? John: yeah Ina: That was a trick question John: Two eggs! LAUGHTER Rob: What are? Those are whites, right John? John: There whites yes Ina: two egg whites Rob: can I tell you my little story about egg whites? Real quick? John: yes Ina: what’s your story about egg whites Rob: I didn’t know what they were when I was in high school, so I Ina: Yeah Rob: that’s when they had operators, when you would call, so I called the operator and asked what the egg white was, I said cuz it’s, there’s clear and there’s yellow but there’s no white John: he wanted to see white Ina: Unbelievable John: that’s how specific he is Rob: and she and Ina: And what did the operator say? Rob: and I heard her say, hey Marge, I got a live one here LAUGHTER Rob: and she said to me, and she said hunny it's the, it's the clear part Ina: Clear Rob: it’s the clear runny part Ina: that’s hysterical John: NO clue what it was. Okay meanwhile back to the Rob: Okay, okay, go do your thing Ina; okay back to John: Breadcrumbs, I’m calling for breadcrumbs Ina: He’s like Pay attention to me, okay, like half a cup? John: Beautiful, half a cup Ina: Or a little at a time? John: No, it's good like this Ina: okay dump it all in! John: you know what, you know you always add Ina: How about salt and pepper / John: salt and pepper yeah, to your taste Ina: To your taste? John: yeah, to your taste, to- Ina; No LAUGHTER Ina: How are you gonna taste it, it's raw salmon John: no, do you like a lot of, you know s- Ina: Yes John: you know pepper, we love pepper Ina: Major salt and pepper John: We don’t like cilantro but we like pepper Ina: no, we don’t like cilantro at all John: we’re the only two I think, yeah Ina: Okay, pepper and salt John: salt good Ina: lots of salt John: do you want to mix? Ina: no John: god I want to mix, I don’t trust her with a spoon now after I’ve seen her with that rolling pin LAUGHTER John: I’ve tried so many salmon burgers and Ina: How about a bit more dill? John: these are really moist simply and delicious Ina: You know the key is under cooking it John: true, Robby just calls people and asks them, how do I cook salmon? Ina: DO you know what that phone call reminded me of, I used to buy old houses in Washington and renovate them and I called a realtor on capitol hill about a house that looked like it was for sale, and I think she thought she’d put the phone on hold John: Oh no Ina: and she calls out to them, somebody goes it's for you, it's that crazy Ina Garten Rob: No, no, no Ina: I’m serious Rob: that’s so horrible John: I love it Ina: I didn’t think I was crazy Rob: Wait, wait a minute, oh there’s nothing worse than that LAUGHTER John: And now this looks good to me Ina: yeah, that looks great John: okay, so let’s, let’s go at it Ina: Okay John: Just grab and this should, uh, I, it should make like four, I make em like about that Rob: John you’ve made these millions of times Ina: You’ve made it millions of times? Rob: john has, yeah John: I do, stick em on the grill, people love em Rob: well because, I think it's just it’s a, like I don’t know it's a little different than a hamburger Ina: am I going to love em? NO just three, just for us John: well then if we’re only doing three, I’ll add a little bit more Rob: yeah I was going to say that one look a little small Ina: Don’t look John: Don’t tell Ina Ina: (laughs) I’m right here John: I love you’re getting sloppy in the kitchen., I like when you’re like that Ina; I’m very sloppy in the kitchen John: she’s Ina: You should see my kitchen when I’m cooking John: Do you clean up as you cook? Ina: NO John: that’s a – NO? SO you keep going Ina: I just keep going John: You let it, you don’t say I need to Ina; I make such a mess John: I need to clean every- Ina: NO John: okay that’s interesting Ina: I make such a mess, now I can’t start until the dishwashers unloaded, the counters clean Rob: Oh right Ina: Jeffery says I can use every dish in the kitchen just heating up something that I took from takeout LAUGHTER Ina: I have to admit, it's true. Okay so are we heating this up? John: Are we ready to stick Ina; Yeah John: Maybe a little olive oil would be nice Ina: okay John: I used to cook em straight on the grill, you better do it cuz my hands are, they’re so wet Ina: My hands are really wet Rob: I can do it Ina: you do it John: Oh, Rob yes Rob: Okay here we go John: here we go Rob: the whole place could go on fire John: Can I watch? Ina: go for it Rob: well just add a little drizzle Ina: Perfect Rob: Oh Ina: Gorgeous Rob: I’m done John: Now can you take the, can you take it and just kind of go like that Rob: sure John: Yeah, take it with a Ina: You and I are going to come John: Thank you, yes Ina; wash up Rob: yeah, go wash up Ina: okay John: okay, let’s leave him Rob: OH, it’s on Ina: have a good time John: have a good time bye Rob: Okay can you imagine? John: give it a go Rob: talk about cooking for dummies John: NO, here we go Rob: Okay and John how high should the flame be ? John: you know medium Rob: Cuz it's very low John: Oh let’s turn it up a little, why don’t you turn it up a little while we- Ina: I’m going to crank it up John: Otherwise, we’ll be Ina: We’ll be here all week John: Yeah, we’ll do a commercial or you know maybe we’ll do a little dance, we’ll do a dance while we, come on Lindy hop Robby Rob: here John, spin her to me, spin her to me John: and then she goes to Rob Rob: yes, yes, yes and she’s mine Rob: well that was I’m just hugging now John: and it becomes a ballad there, while I'm cooking, slaving away on these things Ina: okay Rob: There we go Ina: AHhh John: and you just, it really is Ina: are they done yet ? John: four to five minutes per side Ina: Okay Rob: they’re such a pretty colour too, they’re really appetising to look at Ina: okay, I'm putting this in the fridge for tomorrow John: great Ina: How’s that? Rob: Here I’ll do it Ina: for later Ro: Here, I’ll take this Ina: I’ve even got them cleaning up for me, how’s that? Ina here Rob John: here Rob Laughter John: here Rob Ina: he has to clean up for us Rob: you know what is this? John: and Rob Rob: I hate my job LAUGHTER Ina: that’s what I always call Jeffery’s trash man, Rob’s trash man John: I love it, here Rob Ina: You’re trash, trash man. SO did you make this when you were a kid? John: NO LAUGHTER INA: what did you eat when you were a kid? John: everything was fresh, we didn’t eat from cans Ina: really? John: yeah my, my parents loved gardens and loves, my dad’s Italian, and he wanted fresh everything Ina: wow John: as, as opposed to rob, who Ina: Ate like SpaghettiOs? John: if it wasn’t from a can, it wasn’t – Rob: Frozen, listen both my parents were working, right, so we had you know Frozen fish sticks Ina: Fish sticks reminded me of this, Jeffery when his mother was older, was talking to her and she said what did I used to cook for you and he said well you know on Monday we had meatloaf and on Tuesday we had fish sticks and she said fish, I don’t remember going to the fish store LAUGHTER Ina: I was like you don’t go to the fish store for fish sticks Rob: No, no, no, no John: OH my god Ina: You go to the freezer section in your grocery aisle John: Next to the French fires Rob: That’s it John: yeah Ina: that’s it Rob: But your mother was an amazing cook John John: My mum was really good Rob: John woke every morning to like fresh muffins Ina: really? Rob: fresh, yeah John: Coffee cakes and Rob: yeah John: she just I don’t know, how, wha- Like you getting up at 5’oclock to make the bread and the barefoot Contessa Ina; Forget it! Oh well that, I did it for my business, but John: but still Ina: I’m not getting up at 5 to make bread for Jeffery, he’d think I’d lost my mind John: we won’t let him hear that, we wont Ina: Crazy Ina Garten Rob: crazy Ina Garten Ina: So the salmon burgers are going to cook for 5 minutes on the other side John: yep Ina: and then you’re going to put them together with you mums’ coleslaw which I made because I didn’t want you to do all the work John: ah yeah Rob: Awh, That’s great. Ina: This is John’s Mum’s slaw, let me give you the recipe. VO: First you grate two cup of green cabbage and they specified using a hand grater so that’s what I did, then I put it in a bowl along with a third of a cup of mayo, a dash of cold water, half a teaspoon of kosher salt, a quatre of a teaspoon of black pepper and just mixed it all together. Ina: okay, here’s the coleslaw John: fantastic Rob: beautiful Ina: uhm, Rob could you come and clean this up please? Rob: excuse me? Ina: (laughs) NO I’m kidding, I’m kidding Rob: no of course I will Ina: NO Rob: I want to help Ina: No you’re not, NO major movie director clean up Rob: no, no, here, I, I want to help. Can we make it look pretty here, I’m going to grab these, now how about these? Shall I put these here? Ina: Yeah, put those there. Okay Rob: So, this is for the big assembly Ina: yeah, this is John: You make me laugh Ina: The big reveal John: okay Rob: Okay fantastic Ina: put em on Rob: look they’re beautiful, they’re nicely toasted Ina: put them on the bottom of each one John: beautiful Ina: Perfectly toasted and John: this one Ina: And do I put coleslaw on each one ? Rob: yes, right on top, right John? John: yes and just load it, you know it should fall off the side and be sloppy Ina: Oh I like sloppy Rob: yeah Ina: is that too much? Rob: that’s perfect Ina: Oh, look at this, this is fabulous John: oh, looks beautiful Ina: woah Rob: Oh they’re big and beautiful John: good! Rob: okay do we get to- Ina: Is it tasting time? John: oh they’re so good too, yeah Rob: can we really? John you’re touching that one, that one’s yours John: okay LAUGHTER Ina: you don’t want one that he touched John: you sound like a parent Ina: this is like, okay Rob: that ones yours Ina: start your burgers Rob: Okay, wow this is a mouthful John: I feel I should be over this Rob: Oh my god Ina: I’m going to be wearing this John: I feel like a kid Rob: it's flying all over the place already John: mmm Ina: Oh that’s so good John: I love em Rob: yeah but you have to eat them alone Ina: They’re delicious Rob: So no one can see what you look like Ina: only eat this with friends cuz you’re going to be wearing them Rob: exactly Ina: mm this is really great John: I love it Rob: mmm Ina: You’re the best John: I know you lie well but I hope you really enjoy em Ina: no they’re really good, they’re really good John: cuz I really like em, well they’re just moist and they’re simple, simple slaw doesn’t compete with it Ina: And you get the, the salmon flavour John: yes Ina: and the dill, oh it’s just delicious John: Not too many breadcrumbs Ina: I’m going in again John: oh, we’re going in again Ro: Us too John: enter at your own risk Rob: mm they’re so yummy Ina: they’re so good. Okay I have an idea after this let’s go meet Jeffery for dessert at 17/70 house. Rob: oh, how fantastic Ina: how does that sound? John: great Rob: yeah Ina: okay great John: Our favourite, we love, we love it there Rob: Yeah, and he’s our favourite too Ina: Yeah, mine too. |
Ina: Isn’t Easy Hampton the best? Rob: It’s just stunning Ina: I love to be able to walk into the village, why would you want to live anywhere else? John: anywhere else Rob: exactly Ina: We’re staying here, except maybe Paris Rob: Exactly, as long as Jeffery comes Ina: Oh, he’s coming everywhere, if I go there, he’ll go there John” he’ll go, he’ll follow Ina: I can count on that VO: We’re meeting him at 17/70 house for dessert, it's been an old inn on Mainstreet for hundreds of years and dates back to 1770, I love the white clobbered colonial architecture, inside there’s an antique filled parlour, beautiful dining room and very cosy basement Tavern, the food is fabulous and the cheesecake, it's out of this world Ina: Well this looks pretty good doesn’t it? Rob: It looks fantastic John: really nice Ina: We’ve had quite a day of eating and drinking Rob: Oh my gosh, it hasn’t stopped Jeffery: Well I’ve got to catch up with you Ina: yeah, yeah, you’re going to have to, you’re going to have to eat fast, right? Jeffery: I might even have to have yours LAUGHTER Rob: Oh this looks fantastic Ina: mm Jeffery: Wow that is delicious Ina: it’s really good, okay I have a Pop Quiz Rob: oh my gosh, Ina you’ve been wining and dining us all day Ina: No you’ve been cooking I haven’t done a thing. Okay what’s the one movie that you’ve seen the most? It can be the same or different Rob: the one that comes to mind right away for me Ina: yeah Rob: is all about Eve Ina: ah I love that John: really? Rob: I just think it’s the most brilliantly written film about theatre, I just never get tired of it. I could just watch it over and over again on a loop Ina: Best new sequence Rob: that and all the John: best new sequence Rob: presidents’ men, and all the president’s men is one of those movies Ina: That’s, We feel that way too Rob: when I put it on, I can’t stop watching it Ina: watching it, yeah Jeffery: Even know you know the ending Rob: yes, you know it yeah Jeffery: There’s still suspense, right? Ina: there’s still suspense Rob: Exactly exactly Jeffery Ina: Okay Rob: John what are yours? Ina: Oh, what’s yours? John: well, I think the Graduate Ina: oh that’s a John: do you know that? Ina: yeah, that’s really good Rob: it's a classic John: I just love the energy of it, the music of course, its just the whole thing. I love it Rob: It’s so spectacular Ina: okay, one food that makes you happy? Rob: peanut butter, anything peanut butter Ina: that’s a good one. What’s yours? John: Ice cream Ina: Ice cream, me too. Okay job you’ve ever had? Rob: I’m going to say the, directing the film Chicago cause the, it was my dream come true Ina: worst job you ever had? John: My brother got me a job in a movie theatre, cleaning toilets Ina: (laughs) Rob: that’s pretty low John: a summer movie theatre, by an amusement park, you can’t imagine Ina: my you’ve come up in the world John: no but it was also my best job, because there was a little stage in front of the theatre Ina: Isn’t that great John: my mother would come up, come and pick me up and I’d say mom you have to watch me do a number and Ina: that’s just so great Jeffery: isn’t that nice, that’s so nice John: you make good out of the – Jeffery: yeah Ina: Okay, what was your worst job ever? Rob: I guess If I had to say the worst job I was an apprentice at a summer theatre and we were doing hair and I had to pass the towels out to the actors at the end of act one after the nude scene and I was so embarrassed John: that’s a bad job? Rob: But I was embarrassed, I mean I did look a few times, but I tried to be professional, how do you do that, its like here’s the, you know it’s like oh no I shouldn’t look, that’s bad LAUGHTER Rob: so that was – Ina: That’s a great one Jeffery: You know what my worst job was? Ina: what was your worst job? Jeffery: I must’ve been about 14 and I was scared of heights, and I decide I’m going to cure myself by working for a painter who was working on these scaffolding very high and so I report for the first day, I look at the scaffolding and I quit LAUGHTER Rob: what about you, what was your worst? Ina: my worst job was, I was in Colorado and I went to a, uh, an employment agency to get a job and they said uh here’s you know secretary, 350 a week, so they sent me to this place called the body shop John: oh no Ina: I thought it was like automobile repair, it was a strip club Rob: no Ina: And I was in the back office Rob: no Ina: I wasn’t in the strip club Rob: You’re kidding Ina: you know they bought me the pay, they show me how to do the pay roll and the first person’s name was Boom Boom, and I thought oh my god this is the auto motor repair and then the police showed up and I thought it’s time for me to go Rob: oooohh. SO, here’s your, you’re have to tell us your stripper name, so you’re stripper name is always the name of your first pet Ina: yeah Rob: and your mother’s maiden name Ina: Fritz Rich LAUGHTER Ina: what was yours? Rob: okay so mine, it was Lenora Plosnick, what’s yours John? John: Mine is marshmallow, there is, Marshmallow Gendny Ina: Marshmallow, it’s really marshmallow? Rob: So Jeffery what was your Jeffery Turonimo John: Stop there LAUGHTER INA: the stripper names are the John: there you go and what was your mother maiden name Rob: wait I want to hear the Jeffery: Ingleman LAUGHTER Rob: oh my god Ina: that’s hilarious and finally a question from James Lipton the famous interviewer Rob: yes Ina: If heaven exists what would you like to hear God say when you arrive? Rob: everyone’s here Ina: that’s it John: it’s the same line Ina: and it’s the same for you? John: it’s the same Ina: I would like to hear God say that we saved the Penthouse for you LAUGHTER Ina: And Jeffery’s there, he’s waiting for you Rob: awh, that’s beautiful. What about you Jeffery, what do you want God to say when you arrive at the pearly gates? Jeffery: Ina’s right around the corner Ina: and I’ve made dinner for you Jeffery: no I just want it so bad John: yeah Rob: roast chicken for sure Jeffery: Ina’s chicken, that’s chicken Rob: that is chicken, absolutely Ina: At least I know he’ll never leave me Jeffery: Oh this is really really good. Ina: Isn’t this delicious? Rob: I could eat this whole thing Ina: best day ever Rob: that’s for sure Ina: best day ever John: that’s for sure Rob: AS Ina always says John, when she writes to us after we’ve had a wonderful evening out John: yeah Rob: one of the great nights, well I would say this was one of the great days John: yeah Rob: absolutely Ina: I always have such a good time with Rob and John, it was really nice to have a moment to sit and talk quietly, go a little deeper and of course anybody who cooks for me is always invited back, what a world class fun day. |